Today I'm going to show a couple of things I did with the Cascara rhythm. Cascara is found in Cuban music. It means "shell" in Spanish, referring to the shell of the timbales this rhythm was originally played on.
The rhythm goes like this:
This rhythm is easily as important as the jazz ride rhythm or the basic rock beat and it's important for us to become very familiar with it.
Here's 2 current variations I've been playing around with:
The first one is the Cascara in the right hand, dotted quarters (played as flams between the rim of the small tom and a rim click on the snare), quarter notes with the hi-hat and the tumbao ( + of 2 and beat 4) with the bass drum.
Note the right hand part on the edge of the cymbal gives it an interesting quality, I think.
Next, I'm doing the cascara in the right hand, filling in the rest of the 8th notes with my left, same as above on the bass drum, and putting the dotted quarters on the hi-hat. This is also an interesting example of "Proactive Interference", which is "forgetting [of information] due to interference from the traces of events or learning that occurred prior to the materials to be remembered". The interference comes from me learning left foot clave which is a close but slightly different pattern. Ah, we're never short of challenges, are we?