Wednesday, March 16, 2011

Keep On Keepin' On.

Hey there,
I wanted to discuss a career in music and disappointments. Unfortunately, if you want to have a long term life in music, things aren't always going to go your way.
In my 30 odd years in music I have been......
-Told how much I suck (onstage and loud enough for the crowd to hear it) by a certain ex jazz messenger.
-Fired by both a Chilean singer and fusiony ex Miles Davis guitar player. What's unique about these circumstances is that both of them did so BEFORE they heard me play.

Those are just a few highlights (or low lights, depending on your point of view). I also have been ripped off numerous times by musicians and club owners alike, as well as enough unsolicited musical advice from audience members to last me a lifetime. Were some of the above events painful? Yes. But did I learn from them? Absolutely! Each and every one.
Also, I feel it's important to remember that when we are committed to the music and being true to ourselves not everyone's going to dig what we play/write/teach/sing etc. I know some very good players that never reach a certain level (in my opinion) because they are too afraid not to be liked. There is a certain point, especially in improvised music, that we have to damn the torpedoes and go for it! Life's too short not to play with absolute conviction.

Rather than getting down on why we haven't got hired etc., we need to focus on the music itself and the magical power it has to transform all our lives.


Now let's all throw some major drumming down! To give us a great example, here's Stewart Copeland being the best Stewart Copeland he can be. Thank God he never listened when people told him how to play.


Tuesday, March 15, 2011

Q. Who's the great drummer on the recording? A. You!

Greetings,
I wanted to quickly talk about practicing with drummerless recordings. I have found it very beneficial to play along with recordings where I don't have another drummer's musical information coming at me. I can approach the music any way I want to, and can even try interpreting a song several ways. I have listed a few recordings I have enjoyed working with and learning from. Note that these cover a wide variety of styles, and some of them aren't even music with a constant pulse. Playing along with the Bartok string quartets has been great for my rubato playing. Enjoy!


Title-Artist
Angel Song-Kenny Wheeler
Le Noise-Neil Young
Bartok String Quartets-Emerson String Quartet
Stan Getz and the Oscar Peterson Trio-Oscar Peterson
This One's For Blanton-Duke Ellington
Duologue 1 and 2- Mike Murley and David Occhipinti

Saturday, March 12, 2011

Joe Morello

Hey everyone,
Just got the sad news from Jon M. that Joe Morello passed away.
Joe (in more recent years) became mainly known as a sort of monster chops teacher. While it was true he was a brilliant technician and a student of the great George Lawrence Stone (author of Stick Control and Accents and Rebounds) Joe didn't get credit for a lot of other great aspects of his playing, such as his beautiful warm drum sound and his very distinctive brush style. Joe Morello was also a great "gateway" player for me from players like Buddy Rich and other technical drummers to some of the more abstract small group players such as Tony Williams, Elvin Jones, etc.

Check out the master at work. Thanks so much for all the wonderful music Joe.

Friday, March 11, 2011

Branford

Check this out........



Interesting stuff. A colleague of mine posted this ( he has since taken it down) and responded very negatively to it. I could see my compatriot's opinion but I also think Branford is making a point (perhaps with a very blunt instrument, but a point nonetheless).
I have and have had many great students. They worked hard, studied, and looked at their abilities realistically without getting their egos involved. I have however, run into some players who don't want to work or research and pretend they're a lot more accomplished than they actually are. My colleague also mentioned people he worked with and their poor interaction with Mr. Marsalis and that's when I felt I had to mention my own experience. I played with Michelle Gregoire's band when we opened for Branford's quartet in Winnipeg a few years ago. Not only was he kind and gracious, but he invited us all up to play with his band during the concert. Not only that, he insisted we join him after the show for the food and drink the promoters had provided for him. We had a very lovely evening chatting about (what else?) music. I get the feeling that if you show him that the music is important and you are working diligently and honestly at it, he has plenty of time for you. In the clip above, I took away that a lot of people try to study with him as a resume bullet, and are trying to get him to feed their ego. I doubt he has much time for that.
Let me make this perfectly clear, I would NEVER, EVER, make a comment like that regarding anyone that has studied with me. I also think though, that many points of view (just like many types of music) are valid, especially if they're coming from an honest place.

See ya soon,
Ted

Odds and Ends

Hey all,
First I'm going to post a couple of more videos of the Tony Allen type beats I continue to work on. One version is slower than the other one and I'm playing the bass drum stronger.






Also I thought I'd mention some music I'm enjoying lately.


This is a great exciting recording showing a very firey side of Pete La Roca. My apologies for not being able to upload any tracks. Go buy it anyway, you won't regret it!


Anyone that knows me at all will know I love Pop music. Here's an incredibly catchy tune by Toronto based group Sweet Thing. The tune is "Lazy Susan".



Music is so great!!!!!

Tuesday, March 8, 2011

Back

Hey,
Just got back the tour with Broadview, saw many friends, made some new ones, and got to play music for 5 nights straight with two great humans who are also killer musicians. With that, I thought I'd greet everyone with another tune from the Kingston gig. This is my composition and it's called "Shipwrecked".


Tuesday, March 1, 2011

On The Road, the heart is sore

Not really, I just wanted to quote my favorite Max Webster song!
Broadview is heading out today so if I don't see you out there I'll see you back here in a week or so.

Here's another video of us playing my tune, "Rich Murlted"